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Circles

by Molly Healey

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1.
Hey Mama 03:07
Hey, hey mama, why you walk like that You got your shoulders bent and your eyes tucked under your hat It's got you worried you always gonna say something wrong And you haven't been yourself in way too long Let's go Hey, hey mama, why you sit so quiet While your life around you has turned into a riot It's got you on your knees, it's got you bending backwards And you wonder if you're crazy, but it's not you All right Hey, hey mama, time to wipe those tears Time to pick up the pieces and face your fears Yeah, you've got a voice Time to use it Time to get out of your mind before you lose it Let's go
2.
Paranoia 04:41
It’s Sunday evening she feels a little restless So she rides her bike downtown to catch a show She knows she’ll run into some folks, but her intention is to blend into the paintings on the wall She’s looking over her shoulder from an ingrained force of habit But tells herself it’s paranoia He’s pulled into the parking lot before she even parked He’s sitting there waiting and waiting and waiting Falling into rhythm she moves up a little closer, and he closes in behind her at the bar The whiskey flows over his rocks as he politely chats about the oppressive heat with his barkeep Contemplating the outcome of an interruption He thinks this time that he just might He opts instead to leave his token of affection No interruption, just watching and waiting He spends a whiskey filled evening like this every now and again He wraps his arms around her and holds her head still while his spins He tells her all his fantasies and waits for her to give in And in the morning his blacked out reveries fade to the background again It’s paradise inside his head, purgatory at his home, and living hell everywhere else He’s cast his line out into choppy waters far from shore Where he’s told the catch is best No problem here, but even if there was, it would only be because of travesties placed onto him After all, it’s not his fault that he’s still waiting for the things he feels are owed to him He just wants what’s his He just wants what’s his
3.
Dearest sir, you may not remember meeting me last night It was me with that slip down the stairs that gave you quite a fright That miserable wedding day weather could not have been worse I guess it's good luck when things don't turn out the way you rehearsed I was thinking it might be nice to take you out on the river They're calling for sun, so this time the weather should deliver It's not hard to let my mind entertain the various ends If only I could get up the nerve to hit the little green send I'd like like to take these words out of my head But I know I'll walk away instead I could give you all of my heart, but I think I'll leave it unsaid Dearest madame, I just want to say how lovely it was to meet you It took effort to take my eyes off you when they said "I do" The rain was a wedding day damper, but I barely recall it When I helped you up from the stairs, I knew for you I was falling I'd like to take this thing off of my chest But I know I'll walk away instead You could change my whole world, nonetheless I think I'll leave it unsaid To whom it may concern, I thought I'd drop you a line I've been waiting and waiting around, but no one's shown me a sign The summer's are nice here, but I don't know where to start I guess the best things in life come to those who follow their heart The snares are sharp and pitfalls deep But it's better than a life asleep And although there are things in life that are best left unsaid The world is full of indecision And there's too much hesitation And not enough of the things better left unsaid
4.
Winterfire 03:26
The springtime's over and the summertime's coming And the bell's ring in the street I got a picnic basket full of watermelon And sweet tea in a cup And your lips, they taste like peppermint Or sometimes like a glass of cherry wine But when my cup runs empty, you're not around To come and fill me up Baby cause I love you, and you love me But only in the summertime When the leaves are soft and the nights are sweet And everything is going fine But baby then I need you, I need you When the frost starts to bite So come on over with your eyes and your apple pie And we can keep the fire bright Oh just like the sun with it's promise in June You came and swept me off my feet But your fickle heart froze over with the wind when November came along But with a little luck now, lover I know that we can see this winter through The cold is better when there's two of us So come and warm me up
5.
Drive 05:19
It’s four o’clock in the morning I have an aching head The whiskey’s ice melted hours ago It’s hard to explain How we’re right back here again But the writing’s getting clearer on the wall I can’t get warm or sleep here Now the cold comes from within And keys are shining brightly on the hook I don’t think I can stay I don’t know where I’ll go I need some midnight air to clear my head. Because It’s far too late for talking And I can’t fight anymore And sleep won’t come for hours So I’ll just drive Drive until the morning Down to the river’s edge The questions swirl around like hungry flies Can we find our way back home Is there something left to save Or will silence once again stave off the storm A river has its reasons For never standing still Washing all the poisons out to sea I think it’s time to leave here It doesn’t matter where I go It took me long enough but I came around. Because it’s far too late for talking And I won’t cry anymore And nothing’s changing here So I’ll just drive
6.
White Noise 06:44
Listless Laying with a loaded gun And you think you control the room, but you're just a prop Call the cops Cut the cord and clear the room So you can have a tale to tell when you wake up It's a frantic kind of feeling, trailing off in quiet conversation While you're stealing points of view from everyone but yourself You load them one by one, and point them like a gun into the vacuum Never realizing that your efforts are just white noise Candid When it comes to easy wins Blended artfully into your narrative Honest lies you tell yourself to help you sleep With that silky smile that I always loved Well you can wipe it right off your face Judgements handed down You beat them like a drum into your circles While the only one who's hearing anything is yourself On and on and on, you're building up your revenant militia Marching them like horses off the cliff into the white noise Tested Tied up in a tongue-tied knot And the more you run, the further behind you fall Fearless, free with your faulted facts Swirling like a virus in the white noise
7.
Duplicity 04:40
When I kiss your lips I surrender i feel the poison course through my veins I feel dizzy Like some reaction to a bad, bad drug You’re no good But I don’t want better I’m addicted now to this sin And if we die I don’t want heaven Because I know they’ll never let you in Like a virus I’ve got it bad now You only want me when it suits you best You keep me busy with sugar-laced duplicity As the fever sets in When you’ve used me You put me down And leave me useless like a hollow shell But if I’m sick I don’t want to get better Because I know that you cannot be the cure I’ve been wondering what could be so bad about eternal damnation Cause I’m familiar with some sinners and they seem like they’d be good company And if you never wake up from a night of sin Does the hangover ever really set in I’ll take my chances Hand me the cup I’ll sign my name Your touch is sweet I live in the moment And for the moment that’s enough for me Why have water When it can be turned into whiskey or wine I pity the saints For they’ll never know you Never taste the sweet sin of your kiss If there’s a heaven I don’t want to get there Because I know they’ll never let you in
8.
Circles 05:38
Searing star, deafening heat You don't know where you found it Embers fade, as your eyes fall shut You'd better learn how to keep it Clasp your fist o'er a ball of light Water leaks through your fingers You're standing in a swirling flood And only darkness lingers Falling fast into a deep abyss Until it spits you out again Find your feet on your broken bones Peer out o'er the edge again
9.
Dreams 02:56
10.
The gloaming pulses with the swirling memories of a Sunday painted red Now she's driving down the milky moonlit highway with a pounding in her head The crystal water beckons warm and silent, but she shakes with frigid cold The night will come and overtake her Before the story gets old And now by day she hides in silence, and when the night comes she can breathe No one around to see the damage, and there's a stillness in her head Her silence here engages no one, and she likes it better that way She'll fly away when she sees movement, and you'll lose her in the fray Oo, do you love her Oo, do you want to know her Oo, but you turn and walk away

about

Molly's third album, Circles, delivers her organic and unique orchestral looping ideas fully-rounded out with drums, guitars, and synths. At times reminiscent of Radiohead and at others like a string quartet, her original compositions are like none other on the scene. The album features her classically trained voice, along with her violin, cello, acoustic guitar, and voice; Zach Harrison on electric guitar, Kyle Day on bass, and Danny Carroll on drums. Special guests The Burney Sisters appear on backing vocals.

credits

released March 14, 2020

Molly Healey-lead vocals, violin, cello, acoustic and electric guitars, synths
Zach Harrison-electric guitar
Kyle Day-bass
Danny Carroll-drums and percussion
Olivia and Emma Burney-backing vocals

Recorded, mixed, and mastered by William Reeves at Centro-Cellar Studio in Columbia, MO

Album art by Barak Hill

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Molly Healey Springfield, Missouri

Molly Healey began her solo career in 2015 touring as a looping artist, blending her violin and cello together with her voice into atmospheric and experimental orchestral folk songs. She has grown from the stripped-down looping solo set, to a roster of songs that she performs with a full electric band. ... more

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